What is the Create Award?

The Create Award is a 6-month residency for recent graduates from creative disciplines (fine arts, digital art, performing arts, etc.). Selected candidates receive a 6-month membership at Art Gym Denver (a shared workspace for artists), and a final exhibition and/or performance in Art Gym’s professional gallery space.

Who It's For

The Create Award is for recent graduates (within the past 2 years) from Art or Performing Arts programs. If you graduated in Spring of 2017 or later, you’re eligible to apply in 2019.

Number of Recipients: 2

Details:
The goal of this residency is to support recently graduated artists in continued creation through access to equipment, mentoring and exhibitions. The first years out of art school is critical to the development of professional artistic practices. Artists who launch immediately into their chosen field are more likely to achieve success. The Create Award can endeavor to facilitate this launch.

What You Need To Do

Prepare a 500-1000 word proposal that outlines general goals and your intended direction for the culminating exhibition/performance. Be sure to include some visual examples or video, and a rough timeline of milestones for the project. Next, get a letter of recommendation from a faculty member and a couple of references, and you’re set.

(Pro Tip: Before you apply, it’s a good idea to stop by Art Gym or contact us to set up a tour so you’re familiar with the space you’ll be working and exhibiting/performing in.)

 

During the residency, the successful applicant will receive:

  • 6 month membership at Art Gym Denver
  • Use of on-demand equipment and workspaces*
  • Help with strategy and scheduling to realize exhibition goals
  • Ongoing planning and critique sessions with prominent artists and curators
  • Materials stipend (TBD)
  • Exhibition or Performance with opening reception

*some restrictions apply

Important Dates:

  • Submission Opens: Open year round
  • Submission Deadline: June 16, 2019 – 5pm
  • Announcement of Winners: July 15, 2019
  • Residency: August 1, 2019 – January 31, 2020
  • Exhibition Dates: January 23 – February 15, 2020
  • Opening Reception: January 23, 2020, 5-8pm

Questions? Email membership@artgymdenver.com

How Do I Apply?

Please fill out the form to apply.

The deadline to apply for the 2019 Create Award is June 16.

* Required Field

General Info


Have you toured Art Gym?
YesNo

Do you have your own studio space?
YesNo

Proposal Details

Letter of Recommendation from a university faculty member *

Max file size: 1mb
Accepted File Types: Word & PDF

Please upload images of your work (3 images - zip file):

Max file size: 1mb
Please attach a .zip file

Past Create Award Recipients

2016

Lindsey Ernst

In Earth.Air.Water.Fire.Love, Lindsey Ernst created metalsmith works of intricate beauty. Her work is a unique interpretation of wearable heirlooms that give homage to both our past and future. From her geometric lines to the intuitive designs, her work tells an ancient story that is conveyed through playful and sculptural objects. In her artist statement for the show, she writes “I think of my work as time-pieces; ones that links us with the past and future. While I enjoy creating a futuristic quality, there is always an archaic and heirloom value in my work. I find it liberating to rummage the Earth, looking for my next inspiration.”

2017

Rowan Salem

Rowan Salem, a recent transplant to Denver, used her dance background to create a dance-film installation titled Lapse, projecting her choreography onto transparent fabric and everyday objects in the space. Her work deals with themes of subjective reality, inviting viewers to consider the way information in their environment is revealed and seen, and the ways it is hidden and unseen. In her statement for the work, Salem explains that she “is interested in both illuminating the fluid qualities of perspective through formal design elements, and also in engaging with ideas about perceptual agency for both the performer and audience member.”

K. Vuletich

In Unseen, K. Vuletich exhibited a series inspired by her work at Urban Peak, a local homeless shelter for teens. For this body of work Vuletich spent time interviewing some of her clients, crafting mixed media portraits and using found objects to represent their stories and experiences. Talking about her process, she explained “Mimicking the work of early Pop artists, such as James Rosenquist, I juxtapose text and images to re-contextualize. I examine the seemingly mundane by isolating and reframing un-noticed details of everyday life. Incorporating trash and found objects, I aim to re-purpose and create somethings beautiful and compelling from something that would otherwise be unwanted waste.”

2018

Allie Sutterer

In her project proposal – Everything I Know – for the Create Award, recipient Allie Sutterer explains: “Sewing is a skill passed down to me through generations of family members. In this exhibition, I use an inherited skill to not only mark and change images of childhood, but also cherish and reflect on the ideas my family lovingly passed down to me as fact.” Her childhood photography, thread, embroidery and framing come together to assist Sutterer in her exploration of how we restructure what we were taught as children into what we have come to know as adults. By veiling portions of her original childhood photographs with carefully composed embroidery and matting, she forces the viewer reflect on how their own childhoods and the evolution of their beliefs.

Autumn Thomas

Autumn Thomas’ series Prevails Unpoetic is a self-fulfilling prophecy; a collection of sculptures, developed through mindful dedication and a willingness to modify her original plan of action. In her artist statement she writes “These sculptures offer a dynamic view of the seemingly impossible: the bending and balancing of an assumed rigid structure. This unexpected placement and balance are the essence of survival – the impetus on which survival thrives.” In her six-month residency, Thomas’ sculptures changed from a means to house prints, into singular objects which stand as the works themselves. She uses kerf-cuts to manipulate the wood, giving her the control over a normally inflexible material. The results are beautiful evidences of transformation and change.